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10 plots benha bringer charming come back continuation craft description dialog dialogue ending exercise first person housekeeping image introspection link magic malachi maquette mech military nanowrimo new feature one minute partly photo pilgrim pixies plotting prompt qwain reading real life real world review second person sensory shanty solex terminus union vulgar wasp writing
Archiving Serendipty
Day 475
I should keep better track of the things I read. I suppose thats what Delicious and Evernote are for, but I don’t always have the time to archive serendipity. I should keep better track because when I everntually write about the things I read I’d like to link back to them for your reference. Suffice to say I did read several somethings along the lines of what I’ll write about now. I did not make this up.
That I did not ake this up should be evident in how clever it is. What I’m writing about not my writing.
A reader should be able to pick up a book, start reading at any point, and within a few paragraphs know the characters’ goals. That, for me says quite a bit. I need go no further, but will anyway.
I don’t think the authors I’ve aggregated that statement from meant that a character’s whole plot goal should be immediately apparant, though I suspect they think it should appear soon. I believe they mean a character’s scene goal; their current driving need. Worse, they expect clarity for the antagonist’s goal too; the bad guy can’t just poke your heroine in the eye he needs a reason to poke her in the eye.
These are the writing lessons I love to find. And consequently love to avoid incorporating in my writing.
Last week a wrote with this in mind, but neglected to have a goal for my antagonist. My antagonist merely through up half-hurdles for my protagonist to overcome. Looking back on the piece I didn’t like where the bad guy’s flimsey efforts were leading. Ultimately he’d have become a throwaway character and the scene would have played for no other useful reason than to introduce the protagonist by name in a clever-like way; that could have been done elsewhere and better.
OK, so. Bad guy needs a deeper life I decide. This story is not outlined at this point so I can do anything I want. Suddenly I’ve decided that our minor functionary is now the client who hired our protagonist to off the wife of his boss. Now I’ve got something I didn’t have before.
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