Yesterday one of the reasons my writing came to a halt was I’d introduced a possible new character along with Constable Ock. This character (unnamed in the writing, but suddenly alive in my head) has the potential to disrupt the remainder of the plot I’ve got in mind both because of her early prominent placement in the story and her general intentions. She also has the potential to insinuate herself into the plot neatly, but with added tension. I wasn’t immediately sure how to include her. The balance of my halted writing came from my trying to write a cop well enough not to be noticed.
Now that I’ve got a plot of sorts, I’ve got to develop the theme a bit. What cream is rising through the milky bubbles of my poorly stirred plot is that ‘mothers will always protect their children’. However, nascent instinct tells me some catalytic element is missing from that theme. Maybe there should be a ‘because’ at the end? Ugh, I had a book which defined theme in a way that resonated with me—I can’t find it.
And he, James N. Frey, in it, “How to Write a Damn Good Novel”, calls what I’m thinking about a premise. Maybe that’s what I was thinking too. Based on a quick re-read I’d amend my phrase above to ‘protecting your child ruins the status quo’. I should make that sound more fun to read. I’m not sure there is much drama in not maintaining the status quo.
271 words on day 923