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The Making of a Dialogue Exercise
Here's the thing though—and maybe this was his hope for whatever he was talking about with subtext—these are overt pairings. To get to the subtext, to get to the part where the reader plays a role in the dialogue, you need to write these pairs indirectly or askew of the mark.
Steve’s Place
Just call the whiskey barrels and teak love-seat homey embellishments.
Mother Notion