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The NaNoWriMo Retool

I’ll not convince anyone that I’m not susceptible to distractions: big and small.  What I will say is that I’m yet to learn to properly navigate them or to better suppress the few I have control over.

The overwhelming reason I’m giving up on NaNoWriMo is that I’m not enjoying any aspect of the effort.  I don’t like the words.  I don’t like the pace.  I don’t like the guilt.  I’m not enjoying denying my family and self the pleasure of time well spent so that I can hack out shit words I’ll be happy to never see again.  I have other and sometimes better things to do with my time that write throw away.  I won’t be continuing in the traditional manner.

I’ll be returning to the prep work I began in anticipation of this month.  Preparation I liked.  Preparation I need to do more.  As part of that prep work I’ve plotted deeper into Redolent Microscopy than any writing I’ve done to date.  I’m going to finish plotting Redolent.  Once I’m satisfied I may smear a few words out across that frame and polish them in, but slick shiny words aren’t my goal.  Instead I’ll pounce another set of characters and construct their demise.

This space, this place of concocting, is where I need to be this month.  You can see it in my last two slabs of nanowrimo beef from Tuesday and Thursday.  I’m finding freedom and results in telling what my story will be more than telling my story.

How can I get this planning in front of eyeballs is a little of a wonder to me.  I’ve not so far tainted 1000 Days with meta-writing like whiteboards or note cards or the like.  I’ll figure something out.

Also, we got a puppy.

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The Beach House at Haast

Karen had only used jumping gates to get from [her home town] to here [the sitting room].  She’d always been escorted never alone.  Unless you knew where you were going on your on, touching your escort was only way to get to the same place at the same time.

Karen paused at the gate-door Malachi had just traveled inhaling as much of his recently exhaled smoke as she could and stepped through the gate-door with no specific intentions but traveling.  “Karen, wait,” Margaret called out.

She felt her leading edge stretch to aching until her trailing edge passed the threshold and caught up with the rest of her body.  The traveling place was always described as black or dark or empty, but to her senses it simply lacked light, not held dark.  Immediately she sensed her mistake as the time she spent traveling held a [what happens next vibe].  She concentrated on the smoke in her lungs and Malachi but didn’t give any thought to where he might have gone.

She was rewarded with sensation of being squashed as her body came to a halt in a darkened room that smelled like salt.  Sunlight glowing at the edges of the draped windows helping her eyes adjust.  The drapes sucked to the cracked window suddenly and Karen’s heart tripped at the sound.  Oh, God let’s end that little scene…Karen turned the knob and stepped outside into the Pacific sun.

A high railing blocked her fall into the ocean below her feet.  Noonday sun warmed her traveling chilled bare arms.  She grabbed the warm rail.  Let us change the voice up a bit so I can move forward some.

From her position her on the rail she only sees the Pacific ocean until she notices Malachi leaned on the same rail smoking and waiting.  He greets her with a good deal more pleasantness than when they departed the Library just a few moments ago.

He asks her how she found him.  Was it the tidal chart he referenced in the Library

I followed the smoke.

He’s impressed and quite astounded since he’d never considered that someone might gate-travel using someone else breath as a guide.  He doesn’t want to let on too much how proud he is of her.  Mostly because that not his way but also because he still needs to be angry she’s followed him at all.  It’s a little like a parent with a child.  Their relationship is complicated with a lot of the parent-kid stuff but in as little a creepy way as possible since he’s sleeping with her.

So he turns off the pride and lays into her.  Stuff that hurts for no other reason than to separate her from him.  He needs to do this alone because he doesn’t know how to do it with someone.  Because he’s afraid of what she might find out about his past that he’s not already revealed.  And that she’ll get too involved in his unexpected quest.

She gives it back pretty good till he hits some soft spot that neither of them expected he’d go to and she breaks down.  She probably forces herself not to cry—much.  He leaves her stranded on the porch of this beach house.

She’s not all that stranded, just has to swim-wade into the shore in her clothes.  But the result is that she’s fucking pissed once she gets to shore and he’s long gone.

She has no idea where she is.  There is a spread out fishing town to the south and a two-lane coastal road laid out in front of her.  After she decides what to do to find out where she is, but before she does find out where she is, she runs across a sign that reads, “Caution Penguins next 5 km”.

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In an effort to reduce the bitching around here, I’ll be writing in the same voice I punted to this morning.

Malachi leaving her alone makes no sense at this point.  He knows where they are and how far from home she is.  He knows she knows nothing of how to get to where he’s going.  Which means that whatever fight they are going to have has to have happened back int he sitting room.  In front of everyone.  Which means that somewhere before that she needs to have become sympathetic to the reader and for sure she hasn’t—since she’s just sat around in a room.

Now they are in Haast, but he doesn’t tell her where they are.  I suspect that’s as annoying as we need to be.  Also turns out the place I had in mind is Jackson Bay southwest of Haast be maybe an hour.  Either way I can work out the details.  Ultimately the goal here is to find Steven Tattersall somewhere in a tree house nearby.  Lake Ellery sounds good.  Far enough off to put some conversation into Karen and Malachi.  Maybe even a hike if it feels good.

They finally get to Steven’s home/tree house and we find Steven isn’t there or some other form of conflicty inconvenience.  Eventually they find him/wait him out/whatever.  Steven is a little bit of a letch on the far side of charming.  Probably because he doesn’t get out much.  In any case he rubs Karen entirely the wrong way and is pissing tolerant Malachi off by the end too.

Unfortunately Steven tells the two that the brasswork spider is just that.  Nothing more nothing less.  In fact, if he hadn’t had the information Malachi gave him about it’s appearance he’d have deduced the thing was created quite recently.  Malachi is suspicious Steven is lying since he knows more about the spider than he lets on.  So he presses Steven for more extreme measures to extract the ‘truth’ form the spider.

I should note at this point I’m starting to wonder what the spider thinks about all this.  Is it a toaster or a robot with a soul?  Maybe the initial reading isn’t invasive while the next level is/can be destructive.  Maybe Karen intervenes or the spider self protects.

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The Prof Searches for Magic Books – Cont

The professor drapes the red cloth over her outstretched hands covering both like a stage magician might drape a sheet over a levitating assistant.  Karen’s been around mages enough to know he’s preparing a spell and not just about to clean her hands.

“Malachi probably calls this getting the stink off,” the Professor says.

“He’s not taught me this.”

“No?  Well, he should have and it’s time.”

Bleh don’t like that last exchange at all.  …not just about to clean her hands.  He grasps her hands in his and begins to scrub through the cloth with his thumbs.  He starts at her fingers doing the group in a few swathes then focuses on individual fingers.  The cleansing isn’t symbolic or ritual it’s rough and abrasive.

“Turn them over, but stay under the cloth,” he repeats the method of scrubbing on the back of her hands.  He’s careful to not touch her hands with his or expose her to the reverse of the cloth.  He pulls his hands away, but leaves the cloth draped.  He catches her attention with his eye and demonstrates his hands coming together flat fingers horizontal and fingertips pointing to her chest.  He nods tosses a nod to her indicating she should do the same.  She does.  The Professor matches the corners to straighten out the fold then pinches the centerline of the bight and folds it the rest of the way into squares.  He tucks it away in his pocket.

“Tingly?” he asks.

“Raw.”  His chuckle is a mixture of apology and amusement.  “Aaaa, you’ll be fine.  This is delicate work.  Can’t have your touch clouded by the mundane.”

The Professor does something plausible to cast a spell over the books.  Maybe the glow, maybe they gleam a bit.  Maybe they shudder, I don’t know but in any case the result is something Karen can sense or see or hear.

“I’ve been perfecting this spell for many years.  It’s like a net or a filter.  Trace your fingers over the books and tell me what you find.”

Touching the first book, Karen’s eye’s widen.  She pulls her hand back brushing her thumb across her finger tips like she has cookie crumbs on them.  She looks at the Professor.  He smiles back.

“I’ve never read this book yet it feels as though I have.”

“What’s it about?”

“It’s the story of…the main character has this…it takes place in…” Karen’s joy sours.

“You haven’t read it.  There’s no substitute to actual reading.  I’ve tried to find one, believe me.  No magic”

“I’m sure I could have told you all about it if only you hadn’t asked me to tell you.”

“Exactly the same for me.  And for all of the few others I’ve shown this to.  It still works for what we need it to work for.”  He sweeps his hand down the table and gestures to the remainder of the stall.  “Try the rest.”

Karen drags hand along the contour of the books,  Testing and tasting each in turn.  Each time her touch strikes a new book she feels the joy of adventure, or learning and enjoying something new.  In the brief moment after as her touch separates from the book she feels the disappointment there isn’t more to read and the story is over.  The sensation is of a complete reading but no memory of the content.  Equal parts satisfying and false.  She tastes one table of books right handed then heads down the next row with her left hand.

She’s headed down the penultimate rack of books when one zings her and she snatches her hand back.  “Shit.”

“Point to it for me.”  Karen indicates the book that stung like a bad key on a piano backing away while she does.  “No need to worry, Karen.  There’s nothing wrong with the book.  I’m getting old and I like the spell definitive to the touch.  Let’s see here.  Ah yes, there we go.”

“What is it?” she asks.

“Nothing really.  I embedded a copy of [Hornswaggle’s Guide to Unicorns] into this Netter Anatomy book.  Both are quite good actually.”

“This was a test?”

“Think on it more as training or just think on it as experience.  I wanted to share.”  She still looks a little hurt.  A little duped.  “I’m an old teacher.  I like my lesson plans to work.  Believe me this would not have been as useful if you’d found nothing at all.”

Blah blah blah.

She decides to finish up the stacks anyway and it turns out she finds a second book.  She assumes it’s been planted like the first.  Instead of calling it out to him she pockets it or ignores it to see what he’ll say.  Later after they’ve left and he’s said nothing she goes back to retrieve it and it’s gone or evil or taken by some other mage the seller can’t easily identify.  Either way it’s suddenly a plot point I hadn’t expected to write.  And may not actually need.  Gives me something to consider at least.