A Weekly 1kd?

I read an article today that dredged up thoughts from the silt of my brain I’d not realized existed…ever or still—not sure which. I am decidedly unprofessional on 1000 Days. I do not put forth the effort to make sense, spell words accurately, finish a thought, or comma-nate with much appropriateness. I make up words.

If you asked me why I posted so many rough lines my excuse would be that I’m not trying to do anything but write daily. Everything else I do well is just gravy and accidental. Unfortunately, that response would be both a lie and not a very good idea. I do try to do more than write daily; I should try to do more.

Initially 1000 Days existed as a Word document. Early on, friends encouraged me to create a blog so I could share what I wrote with them. I did, but I don’t think most of those folks read 1000 Days any more, so the panopticon effect I might have enjoyed in the first few months is long gone. I’m the only one watching over me now—which is fine, but doesn’t require a public blog. I had hoped daily posts might attract random followers willing to put up with my speculative brain spasms. There must be some secret to gaining such readers because my stats over the years show less than five hits a day on average—Hello there, robots! I do get occasional real-people bumps but not sticky ones. Really the only reason not to revert to a Word document is the convenient database of posts and the off-site storage of my work.

Work which I’ve just declared unprofessional.

I’m leading to the possibility I take 1000 Days off the daily posting schedule. That I still write daily, but that I only post the good stuff. The edited stuff. The thought out and crafted stuff. The professional stuff.

Scrivener for Windows

For all the years I’ve been writing—or wanting to write—and been on the web I’ve looked for software that might help me write better. I mean that exactly as it reads. I never purchased any of the gimmicky apps which purported to help you write a novel or a screenplay, but I did download and try the demos. I knew intuitively that software wouldn’t elevate my writing, but I hoped it might inspire me to write more. None of what I found did. Nearly every application I found wanted me to plug in the details of my characters: height, weight, eye color, and goals—like the first three mattered and like I knew the last. If I knew my characters’ goals I wouldn’t need your software. When I could fake a goal or when I just loremipsummed one up the results were nothing more than an mishmash of words I could have just as easily written on Post-it notes and then stuck around my monitor. A messy electronic mirror of my messy organic brain.

Along the way I ran into program which made more sense to me as a writer. Programs which help organize the pages and chapters and books. Sometimes these would also manage the submissions as well. YWriter stands prominently in my memory for that. I recognized the value of doing these things, but I didn’t see much value in these apps either because I could do all the organizing I needed with MS Word—for awhile WordPerfect—and a good directory structure. Considering how quickly I write, tracking submissions wasn’t a priority. The interfaces on these apps were an act of love not an act of UX.

Eventually I heard of Scrivener, and that it was for the Mac. I could look at screenshots, I could read reviews and raves, but I couldn’t touch it. Undeterred, I google “like scrivener for windows” every quarter or so. That search invariably coughed up BinderX or whatever that braindump mess is called. So many people seem to like that tool that it worries me I’ve not got the correct brain for it. But given what little I imagine is true about working writers I can’t see how any of them would stand for what comes across to me as a shoe box for postcards, a notepad, and a stubby pencil.

More recently I have found Q10, WriteMonkey, and Celtx. Q10 was great except it isn’t being actively developed. I use WriteMonkey daily and don’t recall why I hesitated dropping Q10 at the time. Celtx does its thing well, but, as much as I want to like it and want to need it, I just kinda like it and don’t really need it at all. As good as Scrivener for Windows is looking I doubt I’ll drop the pure black screen of WriteMonkey for Scrivener’s black text on white or other paper. I’ll copy and paste.

This beta version of Scrivener for Windows is tight so far. I’ve only run into one glitch; anything else I may have found clunky or odd can be attributed to having been born of Mac thinking or just developer style—I think. The interface is sleek and usable. The icons feel good. This is clearly professional software and I’ll consider spending money on it when that time comes.

As a developer I really like the idea that the software I use is aware of the related files I may need quick access to while working. The Binder pane comforts me, but it also confuses me. I understand how it works and what it does; I don’t know how I’ll employ it in the context of writing. When it comes to writing I’m not sure I need to have all writings located in well organized places. Looking back on my writing I can see where I would retro-organize what I already have written, but I don’t think I would have done that much organizing ahead of the writing.

Yesterday I wrote elsewhere.

513 words on day 571

Attempting to Logline.

Today I have time to write, but I dont have the inclination. I’ll mine the archives and create loglines as best I can. I need thatkind of practice.

“NAME OF SCREEN STORY is a GENRE about NAME OF PROTAGONIST, AGE, ONE OR TWO VIVID WORD DESCRIBING THE CHARACTER who wants HIS/HER IMMEDIATE GOAL. When THE INCITING INCIDENT happens and ONE MAJOR PLOT POINT, he/she goes on a journey to ACCOMPLISH GOAL and discover/realize/find THEME. ” —http://www.ocscreenwriters.com/?q=logline-formula

“On the verge of a STASIS=DEATH MOMENT, a FLAWED PROTAGONIST has a CATALYST and BREAKS INTO TWO with the B STORY; but when the MIDPOINT happens, he/she must learn the THEME STATED, before the ALL IS LOST, to defeat (or stop) the FLAWED ANTAGONIST (from getting away with his/her plan).”

A pilgrim girl must convince a demi-god to leave his profitable overnight shipping business to cleanse a holy city overrun with unbelievers.

The Song on Benhá is a SFF about a just-out-of-high-school river-girl named Charming who wants to sell coral sugar to tourists coming to her floating city. When a supplier turns up drowned and covered in incriminating messages and her city burns to the waterline she must discover that [[friendship doesn’t mean liking everything about your friend]] before her condemed uncle finds a book to see the future and rule the present.

Crap. This is hard. Loglines seem to have a knack for finding holes in my incomplete thinking.

Eesh. Internet derailment. May add to this limping effort later tonight.

xxx words on day 569