Indexing and Reading More Like a Writer

Yesterday I reignited an old effort to index and catalogue the work I’ve done here on 1000 Days. You may recall I’d attempted or claimed to have attempted to create a glossary. Yesterday I created a better infrastructure for following through on that endeavor. I may use it as a safety net for one day of weekend writing.

Aside from creating a default activity to go to during those tough-to-write-on Sundays during football season, I look forward to defining the volume of what I’ve done over the past years as well as uncovering some misplaced toys from the youth of my daily writing. Toys I knew I had, but forgot I enjoyed.

Finding Mr. Johnathan Goffe, The Shanty, and You all before entry thirty-two surprised me a bit. I’m certain I’ve not created two such deep wells in a thirty-day span since. Or if I have, I haven’t done so in a while. Indexing 1000 Days should help.

I bought a Kindle 3 less than a month ago. I’ve read several sample bits on it, I’ve loaded it with books I’ve already read on the iPhone, and I’ve read more than halfway through my first full novel on it. This inaugural book, Clockwork Angel, kicks off the The Infernal Devices Series by Cassandra Clare. The balance of the series remains pre-published. Clare published three previous novels in the same world but set in present day. Clockwork Angel finds it’s setting in 18th century England.

These Young Adult novels appeal to me because I find myself looking more and more at books from the perspective of my children. I wonder what I might read to them; I wonder what they might choose to read to themselves. Of course, ‘clockwork’ in the title captures my eye—so far, I’m left cold on the point of the title.

The book is well written and good, but I doubt I’ll purchase the first series or even the second book in this series soon. I may purchase them after some other reading. This one just didn’t grab me which is likely not a surprise to the author since I’m a middle-aged man rather than a much younger girl. The suspense, both dramatic and romantic, feels a little drawn out for my taste. And, my God!, the descriptions of eyeballs overwhelms me. Sure, window to the soul and all, but apparently front door, back door, and chimney as well.

None of that was meant to be my point. I meant my point to be that I’ve been reading with more of an authorial eye. Appraising what I’ve read from a creator’s perspective rather than a consumer’s. I’m not great at it, but I think I’m getting better.

459 words on day 549

Interview: Ailchas PcKarræ

I’m going to work from a prompt today. It’s not as contrived as it seems, but it is a little dorky.

http://writersdigest.com/article/9-questions-to-ask-your-main-character/

“Today I am speaking with Ailchas PcKarræ, Magna of the Tilted Castle. Ailchas has been one of my favorite main characters since I conjured him up for a truncated short story in college. Sorry about leaving you hanging like that.”

“Just get me some work, no?”

“I’m looking for the perfect job buddy. Hang in there. Let’s just dive in with these questions. I got them from a website.”

“Of course.”

“Ok, so…’how do you learn best?'”

“How do I learn best?”

“That’s what is says…’Observation…participation…trial and error…rumination and cogitation….consulting experts…writing?'”

“Rumination and cognition.”

“Really?”

“No. Brack’s Tears, I’m a soldier, man. I. Do. Stuff.”

“Sure. Of course. No need to get worked up on the first question.”

“I’ve been on ice for some time now, no? I’d like to be doing something.” He rubs his thighs with his hands to warm them up. I move on.

“Good point, Magna. ‘How open are you to new ideas and information?'” He exhales and locks his gaze on me. “Another good point. Number three then. When you walk into a party, what do you notice first?”

“I look for the exists and entrances. I find the man no one will talk to and the man every one talks to. Same with the women. Then I go get some food, yes?” He asks that last for a thin laugh.

“You don’t look for people carrying weapons or…up to something?”

“Yes and no. I don’t need to look for weapons. I can handle whatever comes out—you did say it was a party—so, probably just knives. I once pulled a garrote of a lady in waiting. After you find the quiet one and the talker in the room you’ve got the temper locked, no?”

“OK. You’d know better than me.”

“No. No, I wouldn’t.”

“Yea, thanks. I get it. ‘Is one sense more highly developed than another?'” I can see he’s giving this some thought.

“I don’t know what that question means.”

“It’s asking about your senses: sight, smell, hearing, tou…”

“Oh? Ah. Yes. Then, yes. I see now. Um, I guess everyone is good at seeing things. I don’t know that I’m an expert at seeing though. I will tell you in a sword fight I like to listen to the cadence of the fight. You can gauge quite a bit from the rhythm of those sounds.”

“Same fighting from a horse?”

“Somewhat. Hooves muffle those sounds. And horses, even trained ones, are unpredictable. So they move oddly. Having said all that. I guess I’m a movement guy too. Is movement a sense?”

“Proprioception. Let’s call it part of touch. ‘Do you notice problems around you?'”

“Like it’s too cold or the tankard on the edge of the table is about to fall?”

“Probably not like that. Like social problems. Like Queen Susan wants to kill Lady Gwen because she slept with Steve…the knight…but he’d also been the Queen’s lover.”

“Brack’s, boy! Did you just make all that up? Susan? Steve? Those are names where you come from, yes?”

“I did make that up. They are names where I come from.” He waves a hand like he’s pushing away his accusation.

“I don’t think like that. Those aren’t problems to me,” Ailchas says. He looks around the room. I can see his eyes darting from window to floor to bookcase. He’s already drunk in the layout when he entered the room, but now he’s seems to be looking for something he hadn’t seen yet but knows is there. Somewhere. “I can’t place it. If that’s what you mean by problem—I understand what you’re saying—but those aren’t problems to me.”

He stops talking and I am left to assume he’s not going to continue on to put better words around his answer. “No. I think I get what you’re saying. What’s next here…’are you and optimist or a pessimist?'”

“Kimberelle thinks I’m an optimist. I think I’m a pessimist.” I laugh. I know a little more about why that is, but I don’t say anything. It would be too painful for the old man.

“Number Seven. ‘Are you more interested in the past, the future, or living in the now?'”

“Living in the now? Are you gay?”

“I am not gay—not that that there’s anything wrong with that.”

“So you say.”

I lean in like the roller about to impress a blank page with words of life, “So I do say.”

He sighs. “I don’t think much on the past or the future.”

Which is true. He doesn’t. Sure, he thinks about things like who he might marry and where they might live and how his sons will grow up, but he doesn’t care much for where the world is heading—though he should.

“Almost done here, Ailchas. Two more and we can get you back to what you were doing.”

“Sitting on ice?”

“Uh. I’ll think of something soon. Promise.”

“So you say.”

I smirk back. “‘How do you decide if you can trust someone?'”

“With most people you can just tell. They move like people who don’t lie. Mind, I didn’t say couldn’t lie. Some of the best, most trustworthy men I’ve known were spies. Those guys always seem to be trying to prove they’ve not doubled, no?”

“And what about the others? The…not most?”

“Once you kill them you find out soon enough if they were lying. If you don’t find out it doesn’t much matter anymore, no?”

“No. I guess not. OK. Last one. You ready for this?” He glares, “Never mind. Here we go. ‘Are you a deliberate, careful speaker, or do you talk without thinking first?'”

“Yes.”

968 words on day 547

The Western End of Run Dark Alley

The eastern end of Run Dark Alley ratlled in colorful pennants, flags, and streamers like a orphanage’s clothesline on laundry day, [please punish me for that] but the western end, Madrigar’s end, rested like a cat in the shade.

On it’s western end Run Dark abutted a three-story apartment building who’s height kept Madrigars in shade nearly all day long, but who’s placement left the surrounding shops walls brightly light. The effect was similar to carrying a parasol on the beach.

Eesh. What I’m trying to convey, but not a way I’d like to convey it.

105 words on day 546